The future of electro-pop is bright on BASTILLE’s fourth album
Bastille give us a glimpse into the future on their fourth album, Give Me The Future - and it's a bright one.
Bastille give us a glimpse into the future on their fourth album, Give Me The Future - and it's a bright one.
With their two previous albums getting mixed reception, it felt like Animal Collective's best work might be behind them - fortunately, Time Skiffs proves this not to be the case.
Featuring two Cardiffians and arrangements of tracks by the likes of Brian Eno, Clarinet & Piano is a meditative and relaxing listen from Group Listening.
Tim Hecker delivers a suitably beautiful and perilous soundtrack for the Colin Farrell-starring show, The North Water.
At 98, American jazz saxophonist Marshall Allen is very much still live and kicking on new album Dancing Shadows, alongside bass player Tyler Mitchell.
With See Through The Blue, Scarlet Rebels are right on track to reach their goal of being the first band from Llanelli to break into the UK Top 40.
Artifacts, a 26-track collection of polished up demos, rarities, B sides and unreleased gear from Beirut, captures all of the band's eras in one place.
With new album Night Call, acclaimed actor and now, solo artist Olly Alexander takes Years & Years' sound into new harmonious places.
Palace's third album, Shoals, promises "chaotic" and "dangerous depths," but the laidback music on offer doesn't quite make good on this.
Ludovico Einaudi offers moments of tranquil reflection that offer an alternative response to the anxiety the last two years have evoked.
It’s easy to be sceptical when a Hollywood superstar turns to music, and though Kiefer Sutherland can really sing, new album Bloor Street has little edge to it.
26 albums later, Tokyo-based band Boris are still collapsing genres and confounding expectations in this, their latest album, W.
The Lumineers return with vibrant fourth album Brightside, a cinematic love story from start to finish.
Elvis Costello & The Imposters' sleek stylings on new album The Boy Named If are at an irresistible peak of excellence.
On new album Covers, Cat Power gets to the heart of the songs she interprets, leaving the listener disinclined to make comparisons with the originals.
Bonobo's kaleidoscopic creative flair shines on Fragments, a record that sprawls with gloriously rich and slick layers and electronics.
Blowing her previous releases out of the water in sheer power, Live at Montreux Jazz Festival cements Anna Von Hausswolff as an intimidatingly strong presence.
From the year's big movers and shakers to the ones that got away, these our are picks for the best albums of 2021.
Gold, the second album from Riki, seees the self-identifying New Romantic leave behind the darkwave of her debut for 80s synthpop.
Future versions of Cyrano are unlikely to have a soundtrack as seductive and slick as what The National’s Dessner brothers have created.
Following the tangents Jeff Parker takes on new album Forfolks is never anything besides compelling.
System Reset are back with Many Hands Make Lies Work and, unfortunately, its themes are as timely as their debut album.
On Can's Live In Brighton 1975 – the second in an apparently ongoing album series – the flavour is somewhat muddied.
New album Speak is the sound of the Norwegian EERA seizing her solo opportunity in the spotlight with both hands.