The latest from Bristol institution TRICKY could be his finest post-millennium album
Tricky's latest emotional bruiser of an album could arguably be his finest – yep, even surpassing Maxinquaye, his 1995 debut.
Art, culture and the best of what’s on in Wales

Tricky's latest emotional bruiser of an album could arguably be his finest – yep, even surpassing Maxinquaye, his 1995 debut.

There’s pithy, thought-provoking social commentary laced with humour throughout Yard Act's third album, making it an intriguing listen.

From the off, Ellen Allien is firing on all cylinders production-wise: if you like your techno hard, fast and driving, New Life is for you.

It’s great to hear both Noah ‘Panda Bear’ Lennox’ and Pete ‘Sonic Boom’ Kember not resting on their laurels or ploughing the same furrow.

Adam Lambert, American Idol runner-up turned Queen frontman, has gone back to his formative 90s inspirations for this rock-solid solo record.

There’s a lot to like on the Stones' latest album, though you wish someone had been brave enough to turn these 14 tracks into a leaner set.

Perhaps closest to something like Brian Eno’s Apollo, Anton Pearson brings an unsettling, concentrated atmosphere to Driving Through Belgium.

While the glitter may have to settle to truly assess Confessions II, for now this disco-infused Madonna is important as Vogue or Ray Of Light.

Alewya’s debut album is the perfect example of two cultures blending together to create something beautiful, exciting and unique.

Reminiscent of a 90s Ibiza Temples were too young to experience, Bliss follows the arc of a night out: exuberant come-up, inevitable letdown.

You’re guaranteed to find things familiar, obscure and new to listen on a Cherry Red compilation, and Digging Your Scene is no exception.

Downtown Boys' production values may have become classier, the tempo occasionally down a notch, but the ire and solidarity remain coursing.

Butthole Surfers' second major label record, released in bastardised form in 2001, is only now seeing the light of day as originally intended.

Vince Clarke (Erasure, Yazoo, Depeche Mode) has also had a long career remixing other artists, and has compiled 26 of them as Remix | Remodel.

The Ground Above, Beth Orton's ninth album, is the sound of her reflecting on grief, and all that has gone down since those early years of her career.

Horse Lords succeed in sounding like they’ve beamed in from the future – one which uses its knowledge of past artforms to push things forward.

The Gods Laugh is a portal to the spirit world, and Alison Cotton’s best record yet. It feels as though the witching hour has finally struck.

It has to be said that Hard-Fi peaked too early. Their first album, Stars Of CCTV, was an instant hit – and a hard act to follow.

After a 14-year wait, we have an album as fresh, rewarding, and creatively productive as one could expect from Graham Coxon’s most prolific years.

Labelled an “extremist organisation” by the Russian Federation last year, Pussy Riot’s music is now more important than ever.

Two new Toccata Classics releases – by David Hackbridge Johnson and Cambridge's Girton College Choir – showcase the variety in their output.

Big Brave’s 10th album rumbles and drifts, the listener caught up in the shifting quicksands of crackle, distortion, drone and decay.

Snowdrop is well-trodden turf for Mono, a band who reject the ‘post-rock’ tag in interviews while embracing all of the genre’s core signifiers.

It isn't until side three that Psychedelic Selection comes into its own, with of dynamic new tracks that capture Hawkwind at their best.
