Box Set #6 is another collection of albums from the vast catalogue of the late, great Nigerian titan Fela Kuti, with Idris Elba the latest person called upon to choose a handful.
Kate Rusby’s Light Years is her seventh seasonally-themed folk album, bringing her total to 22 records in 32 years.
On Echoes – Ancient & Modern, op producer Trevor Horn gathers an eclectic mix of singers and paired them with songs that, on paper, shouldn’t work.
Extreme metal unit Full Of Hell and downbeat shoegazers Nothing share a nihilistic streak and a will to not comply with genre expectations.
Presented in Dark-Side and Light-Side forms, Peter Gabriel's first album for 21 years is up there with some of his best work.
Woodleigh Research Facility's Phonox Nights is the last album Andrew Weatherall created with studio wiz and longtime collaborator Nina Walsh.
The single-note soundscapes on this debut solo album from the Erasure songwriter and Depeche Mode founder member have a wealth of wordless wonder to offer human ears.
Chichester duo Smoke Fairies deal openly with grief and loss on their first album for three yearsthe 11-song, home-recorded Carried In Sound.
Marking 10 years as a British-pop sensation, Emeli Sandé brings us her second independent album, How Were We To Know.
What We Do To Feel, the fourth album to date by Cambridge band Lonely The Brave, is a record of ethereal synths and reverb-laden guitars.
David Holmes' first solo album since 2008 roots for outsiders and the displaced:a thought-provoking soundtrack for cruel, angry and turbulent times.
Few could pull off a recreation of one of Bob Dylan’s most (in)famous gigs - Manchester Free Trade Hall in 1966 - but Chan Marshall, aka Cat Power, pulls a masterstroke.
The latest postcard from Zach Condon’s musical alias Beirut arrives from the northern Norwegian town of Hadsel.
After 2021’s exceptional I Would Not Live Always, expectations are very high for Look Over The Wall, See The Sky, John Francis Flynn’s second album of traditional Irish folk.
Black Grape were always the better band than Happy Mondays, and new album Orange Head tosses out enough weird hooks to warrant the entry price.
Four and a half decades after forming, Bauhaus Staircase makes it clear OMD still don’t know whether they want to be Joy Division or Abba.
All the right touchstones on The Twits are there, but Bar Italia's take on Sonic Youth, My Bloody Valentine et al are draining.
Discover Gregory Porter's Christmas Wish - a soulful festive album featuring new songs and top-notch interpretations of classics.
Van Morrison's Accentuate The Positive reimagines classic rock'n'roll hits from his Belfast youth.
King Gizzard and the Lizard Wizard's The Silver Cord takes a surprising musical turn. Will it leave a lasting impression though?
Coming four years after his lauded Tenderness album, Lighthouse is a shockingly good set of songs from the man who will always be known as the bassist from Guns N’ Roses.
After nearly a decade since their last album, The Gaslight Anthem return with a collection of new songs for their eager fanbase.
Their first album since 2019, The Kills' God Games delivers a rich, emotional sound that's confidently their own.
Twenty-eight years after their notorious Thank You album, Duran Duran's Danse Macabre is more than just Halloween-themed covers.