With SKINWALKER, Cardiff’s BUZZARD BUZZARD BUZZARD are a very different beast
This second album from Cardiff quartet Buzzard Buzzard Buzzard is a very different beast from 2022’s Backhand Deals.
This second album from Cardiff quartet Buzzard Buzzard Buzzard is a very different beast from 2022’s Backhand Deals.
For All Quiet On The Eastern Esplanade, The Libertines have preened their guitars to tasteful string arrangements, hinting at middle-aged introspection.
Feeder are back with a double album that continues from where their 2022 album Torpedo left off; 18 tracks connected by a 'unity of sound'.
After 2021’s I Be Trying set a new standard for Mississippi hill country blues, Cedric Burnside is back with a lighter follow-up that reflects the warmth of his live performances.
London duo Bob Vylan follow up a breakhrough year with Humble As The Sun, an LP fusing rock, rap and politics to moshpit-friendly effect.
Texas and Spooner Oldham is a combination which fits like a glove on compilation album, The Muscle Shoals Sessions.
If you’re looking for evidence that aliens are here, start with Shabazz Palaces, beaming hip-hop from a distant galaxy on new album, Exotic Birds Of Prey.
High Llamas' Sean O’Hagan's melodies rotate and distort embedded in Hey Panda, a weird, clean, modern wonder of an album.
With El Magnifico, producer and songwriter Ed Harcourt has moved away from the instrumental, cinematic soundscapes of his last, highly recommended album Monochrome To Colour.
The scene this band grew up as part of is one that many are nostalgic about, yet through their musical evolution, Sum 41 proved they could transcend it.
With large and infectious hooks, VR Sex's third album, Hard Copy, is one for rockers of many persuasions.
Gossip's Real Power brings together pop, indie and disco, with their punk convictions intact, stamped with Beth Ditto’s unmistakably punchy vocals.
Julia Holter claimed that her sixth LP, Something In The Room She Moves, has “a corporeal focus”, yet like its predecessors it feels like another out-of-body experience.
With three new reissues out, it goes without saying that if the Butthole Surfers were active today, they’d be cancelled sooner than you could say, “I’m outraged by this stuff.”
Adrienne Lenker doesn’t shy away from vulnerability on Bright Future, a delicately made record that envelopes listeners in tales of childhood, heartbreak, and love.
Alison Cotton's first concept album Englechen focusses on the story of two German sisters who helped Jewish citizens escape persecution in the 30s.
The Black Crowe's nucleus, the Robinson brothers, have certainly got something worth saying after all this time with Happiness Bastards.
A largely unexceptional instalment to The Dandy Warhol's catalogue, Rockmaker is peppered with only the occasional memorable hook.
Future pop royalty Caity Baser returns with Still Learning, an unapologetically transparent, addictive and zero-skip mixtape of relatable bops.
Eight albums in, Norah Jones shows no signs of having driven down a creative cul-de-sac with her latest, Visions.
Listen to Sheer Mag's Playing Favorites if you want to spend time wrapped up in a cozy musical blanket.
Taylor Swift-producing whizz Jack Antonoff's band Bleachers release their third self-titled album, and nobody sounds quite like them.
While the British weather may always fail us, Bacao Rhythm & Steel Band's BRSB is nothing short of a ray of sonic sunshine.
There’s no disputing that The Collective is a challenging listen, but while Kim Gordon's ex-husband dwells on the past, Gordon has her sights forwards.