The latest from Bristol institution TRICKY could be his finest post-millennium album
Tricky's latest emotional bruiser of an album could arguably be his finest – yep, even surpassing Maxinquaye, his 1995 debut.
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Tricky's latest emotional bruiser of an album could arguably be his finest – yep, even surpassing Maxinquaye, his 1995 debut.

Ex-Verve frontman Richard Ashcroft delivered a confident performance packed with anthems that stretched back more than three decades.

Four Welsh productions are at August's Edinburgh festival: Songs From Across The Sueniverse, Frogs In Bogs, Circle Of Fifths and Owl At Home.

There’s pithy, thought-provoking social commentary laced with humour throughout Yard Act's third album, making it an intriguing listen.

Alicia Upano has crafted a debut novel full of emotion, heartache and discovery, which follows the aftermath of a tsunami in Hawaii.

The third part of Julia Deli’s megafeature on her weekend at the Workhouse Party in Llanfyllin profiles the Creative Stuff Newtown collective.

It’s been 20 years since Naeem Murr was last published in the UK, and Every Exit Brings You Home is a reflective work of literary fiction.

James Ellroy, the boss of concisely-written fast-on-the-draw prose, returns with another slice of relentlessly gripping Los Angeles-based noir.

The second part of Julia Deli’s megafeature on Workhouse Party in Llanfyllin focuses on Sioned Camlin and one of her bands, folky types Twmffat.

Home Sick is a psychological horror that will make you wonder whether something lurks behind even the most ordinary of encounters.

Backed by a superb band, the arrangements were rich and textured, allowing David Gray’s unmistakable voice to remain at the heart of the performance.

Whirling dervish of the Welsh underground festival circuit, Julia Deli, went to Llanfyllin in north Powys last month for the Workhouse Party.

Whilst Truck Violence outside of the mainstream, it’s easy to envisage them filling larger spaces when they play with this much passion.

Adam Garcia has donned many theatrical hats, and returning to Wales in The Bodyguard, he embraces a more understated role as Frank Farmer.

The story of the National Eisteddfod begins in Cardigan circa 1176, and 850 years later the festival writes its latest chapter in nearby Llantwd.

From the off, Ellen Allien is firing on all cylinders production-wise: if you like your techno hard, fast and driving, New Life is for you.

Xiu Xiu have always been open about their adoration of David Lynch, with this quasi-soundtrack to his movie Eraserhead the most potent proof yet.

Animal Nightlife is a head-spinning work that jumps back and forth between brash street-level realness and passages of fantastical zoomorphism.

It’s great to hear both Noah ‘Panda Bear’ Lennox’ and Pete ‘Sonic Boom’ Kember not resting on their laurels or ploughing the same furrow.

Adam Lambert, American Idol runner-up turned Queen frontman, has gone back to his formative 90s inspirations for this rock-solid solo record.

As we depart, Billy Ocean's biggest hit Caribbean Queen rings round the streets of Cardiff: a perfect end to a perfectly sultry night.

Bridgend songwriter Corey Sanders is stepping out of the shadows as Dirty Blond – transforming heartbreak, honesty and male vulnerability into song.

There’s a lot to like on the Stones' latest album, though you wish someone had been brave enough to turn these 14 tracks into a leaner set.

Despite discussing difficult themes, these are conveyed in such a sensitive manner it only adds to the emotional aspect of Plesera's characters.
