Genre disrupters HO99O9 put the pedal to the metal on audacious second album
“No one sounds like us”, Ho99o9 told Kerrang!’s Mischa Pearlman ahead of the release of Skin, their second LP, and they might have pulled it off.
“No one sounds like us”, Ho99o9 told Kerrang!’s Mischa Pearlman ahead of the release of Skin, their second LP, and they might have pulled it off.
Franz Ferdinand have curated a highlights reel of their 18-year history with Hits To The Head: a greatest hits album with lots of hits (as you'd expect) and few surprises.
Swedish multi-award-winning metal gods Sabaton’s 10th album picks up where its predecessor The Great War ended and delivers further World War I history in a palatable way.
Celebrating 30 years in the game, sludge metal legends Crowbar return with another solid collection of riffs in new album, Zero And Below.
Wolfgang Flur's second solo album Magazine 1 reminds us of just how influential Flur was within Kraftwerk.
An Hour Before It’s Dark, the 20th studio album from Marillion, has profound and witty lyrics, great musicianship and a flow of undulating instrumentals.
Instead of a nostalgic compilation album for their 25th year, Stereophonics have put out all-new music in Oochya!, which feels safe and sure as ever.
Sasami Ashworth’s second studio album Squeeze has been labelled a cross between nu-metal and country-rock, and despite enjoyable snippets, its mixed identity becomes more annoying as it progresses.
Pray For Me I Don't Fit In is a welcome return for jazz/dance/punk/kitchen sink experimentalists Melt Yourself Down
Though a worthwhile reshuffle of the broad Adult. aesthetic for old timers, latest album Becoming Undone is also a good place for newcomers to start.
Fast becoming the leaders of the Cardiff indie scene, Buzzard Buzzard Buzzard have released a truly outstanding debut album in Backhand Deals.
The songs on Ex-Smiths and Electronic pioneer Johnny Marr's Fever Dreams touch on his creative past, but aren't an exercise in going back in time.
What initially appears utterly preposterous on Gong's new double live album gradually makes more sense as Pulsing Signals progresses.
Now devoid of their ‘British’ prefix, Sea Power get back down to core business on their latest album, Everything Was Forever.
Putting aside their musical differences at last, Swedish duo Sally Shapiro are back with more of the same synthpop-slash-Italo disco on new album, Sad Cities.
Catchy and pleasant, Small World is Metronomy's most grown-up album to date - exploring mature themes like parenthood and life's simple pleasures.
Benedicte Maurseth's third album, Hárr, includes the Hardanger fiddle - Norway's greatest gift to music - as well as birdcalls from six different species.
Now over 40 years into their existence, extreme metal institution Napalm Death offer more frazzingly fast belters on new album, Resentment Is Always Seismic.
Poland's Trupa Trupa's brand of cerebral, sometimes abrasive indie rock via new album, B Flat A, makes it clear that 'world music' always is/was a silly term.
FTHC, the ninth and deeply personal album from Frank Turner, finds the singer working through parental neglect, addiction and confronting his privileges.
Earthling is a sprawling but crowd-pleasing solo album from Pearl Jam frontman, Eddie Vedder.
Alt-J's fourth album, The Dream, blends fantasy and reality for a confident, revitalised sound that is surprising, ambitious and current.
Erebos from Venom Prison represents a staggering leap forward for the south Wales death metal band, placing them at the vanguard of the modern genre.
Nordic Giants' third album, Symbiosis, over-delivers on bombast but under-delivers on genuine emotional resonance.
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