Hip-hop influenced WHY? return with surprisingly confessional album
On their first album in five years, Why? return with a surprisingly personal album that stands out as something of an oddity in their back catalogue.
On their first album in five years, Why? return with a surprisingly personal album that stands out as something of an oddity in their back catalogue.
Existing in a liminal space between wakefulness and sleep, musical duo David Lynch and Chrystabell release their third album, Cellophane Memories.
While initially intriguing, the third album from indie pop group Cults feels disjointed and lacks any memorable punches.
On The Edge Of A Lost And Lonely World has a more defined sound than Humanist's last album, one which lets in light and highlights vulnerability in these songs’ themes.
Having earned his stripes on the live circuit, Hi, My Name Is Insecure will make Sam Tompkins an overnight sensation for the uninitiated.
Live At Wembley selects the best bits of one of Blur’s 2023 Wembley shows, where the listener gets a real sense of the excitement behind this highly anticipated reunion performance.
Canadian folk-pop group Wild Rivers return with a third light and dreamy folk-pop album that is nice but doesn't excite.
As an exhibition of the Raveonettes’ impeccable influences, covers collection Sing… is a largely pointless exercise.
Sound System Persepolis is an exhilarating new album from Sote, combing shatteringly crisp rhythms with Middle Eastern melodies.
There’s nothing groundbreaking in Orange Goblin's Science, Not Fiction, but there is some solid shoulder-swaying rock’n’roll.
OneRepublic’s sixth album Artificial Paradise shifts towards a more chilled, pop sound whilst still retaining the catchiness for which the Colorado band are known.
I Love You So F***ing Much is catchy, consistent and hones in on what makes Glass Animals such a great band. All hail the bops to come with this record.
Joe Goddard's Harmonics, mixes Chicago house, Detroit techno, and electropop for a diverse and compelling album experience.
Glasgow rockers Travis, winners of several Brit and Ivor Novello awards, are back with their 10th studio album L.A. Times.
X's, the third album from Texan quartet Cigarettes After Sex arrives just in time for a summer of lust and slow pop.
With a heap of singalong choruses, offbeam melodies and genre mashups, Big Ideas is perfect pop for big thinkers from Remi Wolf.
After two years of careful selection, Marc Almond picks 12 songs to cover for his latest album, I'm Not Anyone, producing a concise and surprising set.
Kasabian return with their eighth studio album Happenings, and deep, groovy basslines working in tandem with synth-heavy riffs and catchy lyrics.
Rusty Egan's box set Blitzed! successfully captures a moment in time when postpunk was on the cusp of giving way to New Romanticism.
The compelling electronic pop sound of V I S I T O R, UTRB’s third album, is attributed to Cardiff-born frontman Pete Winfield’s newfound sobriety and a period of “renewed emotional and creative clarity.”
The Warning's second album Keep Me Fed is heavy and full of attitude as you’d expect, but also possessing greater confidence and groove.
While honey-voiced jazz-folk singer Madeleine Peyroux is known for Tom Waits and Steely Dan cover versions, this is an album of originals.
Formed by Goldfrapp synth player and producer Will Gregory, this new work, built around analogue synthesisers, was inspired by Ancient Greek mathematician Archimedes and features the BBC National Orchestra Of Wales.
On the first album since 2012 from Warren Ellis, Mick Turner and Jim White as the Dirty Three, their spirit still courses.