LET’S EAT GRANDMA: the sludge pop duo return with deeply personal album
Two Ribbons from Let's Eat Grandma characterises itself as an ode to the transparency of childhood friends Rosa Walton and Jenny Hollingworth.
Two Ribbons from Let's Eat Grandma characterises itself as an ode to the transparency of childhood friends Rosa Walton and Jenny Hollingworth.
It might come as a surprise that Horace Andy has not made an album with On-U Sound boss and producer Adrian Sherwood until now. Midnight Rocker ends that wait.
Much like Wales’ own Kelly Lee Owens, Nik Colk Void started out playing with a bunch of indie-rock also-rans but has since embraced electronics and club culture and in doing so, found her true calling.
Panic Shack's enjoyment of being in a band is captured in every note of debut EP Baby Shack: catchy and fun, full and satisfying.
Chloë And The Next 20th Century is the latest opus from Father John Misty; each track a pastiche of a bygone style - from bossa nova and big band to country and cool jazz.
Recorded in spring 2021, before the world had even been introduced to Wet Leg, the debut album amps up the playfulness of their initial singles and keeps it running.
Warmduscher have upped the malformed funk on their third album, At The Hotspot, produced by Joe Goddard and Al Doyle of Hot Chip.
Formed 35 years ago in Sweden, nobody could have measured the influence Meshuggah would have on metal.
Max Cooper has been playing with his format for so long that this album feels like a perfection of the craft, but an artist of this calibre could branch out a bit more.
On The Unfolding, northern Irish composer Hannah Peel has created a stunning album of indefinable work in collaboration with the delicately attuned Paraorchestra.
There’s a feeling that Crows have pitched up to the postpunk party unfashionably late, their peers having already moved on to more interesting places.
She’s always been candid in her love for all things 90s. “My first big obsession was The Spice Girls, but there was also Shampoo, All Saints, Aqua”
Having scheduled The Harvest for release in March 2021, Mammoth Weed Wizard Bastard (MMWB) instead went on hiatus
80s shoegaze pioneers Loop return with the second album of their post-reformation era, Sonancy, which might sound better live than it does on record.
With the current metal scene in somewhat of a lull, Friends Of Hell are dragging us back to the golden era of the 70s and 80s.
Surrender is not a greatest hits or best of, but an essential primer to one of the most uncompromising and influential electronic bands to set foot in or out of New York: Suicide.
Hailed as 'ones to watch' by the UK music establishment for the last couple of years, Sea Girls release their second studio album, Homesick, full of anthemic indie-pop.
Reconvening after a 10-year hiatus, Texan quintet Midlake return, rejuvenated on a perfectly paced fifth album, For The Sake of Bethel Woods.
During a Stones hiatus in the late 80s, Keith Richards worked on his next solo outing, Main Offender, which - now re-released - doesn't sound at all dated 30 years on.
Sydney four-piece The Lazy Eyes have conjured up a collection of blistering compositions on debut album Songbook.
Recorders are back! Or at least they are on Norfolk folk experimentalist Laura Cannell’s Antiphony Of The Trees - an album that truly shows the dexterity and potential of the instrument.
“No one sounds like us”, Ho99o9 told Kerrang!’s Mischa Pearlman ahead of the release of Skin, their second LP, and they might have pulled it off.
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