Dreamy Americana drifts through TOWN CALLED NOTHING by LAURA-MARY CARTER
Taking a road trip deep into Americana-land, Laura-Mary Carter's Town Called Nothing is filled with dreamy vistas but lacks narrative punch.
Taking a road trip deep into Americana-land, Laura-Mary Carter's Town Called Nothing is filled with dreamy vistas but lacks narrative punch.
Leo Abrahams' Scene Memory 2 is an adventurously made selection of soundscapes, racked in a hypnotic kind of spellbinding beauty.
Overflow, Ryan Lee West’s seventh album as Rival Consoles, doesn't manage to make sweet music out of toxic web practices.
From the dreary confines of Rotherham come yet another miserable sludge contender in Swamp Coffin, with Noose Almighty.
Essiebons Special 1973-1984 is number 33 in Analog Africa’s compilations and re-releases, and they’re not showing any sign of stopping.
Watch the brand new music video for You from Cardiff band Buzzard Buzzard Buzzard right here as a Buzz Mag exclusive.
Scrap Metal takes the listener on a trip back to the late 1970s and early 80s when metal still had a lot of growing up to do.
Venezuelan DJ Trujillo has dug deep to unearth some seriously smooth Iberian bangers for Ritmo Fantasia.
Finnish prog-metal oddballs Circle combine with Richard Dawson's Geordie falsetto to make weird but great things on Henki.
On Acoustic Album No. 8, Katie Melua’s vocals shine through throughout on songs that retain their original strength when stripped back to the bone.
Inspired by falling in love with a new electric piano, Cocoon is a departure from Amy Duncan’s usual acoustic sound world.
A legend Brian Wilson may be, but it's hard to know who the stripped back Beach Boys covers on At My Piano are for.
Dreaming In Slow Motion, a stately album by Cardiff-based Danielle Lewis, creeps up on you from a two-metre distance and then gives you a big hug.
Their seventh studio album, Motorheart sees The Darkness delivering good old rock'n'roll - in the only way they know how.
On A Valediction, German quartet Obscura may have elevated themselves beyond the the death metal genre entirely.
After 14 years, Robert Plant and Alison Krauss reunite for Raise The Roof, delivering more irresistibly-blended harmonies.
As a whole, Dave Gahan & Soulsavers' Imposter works incredibly well as a complete piece of work - each track brimming with heart and soul.
Only a year after 2020's Ultra Mono, Idles are back with new album Crawler, which finds them mostly sticking to what they do best.
While it’s easy to mock ambient, it can’t diminish Jon Hopkins' Music For Psychedelic Therapy from being a simply beautiful album.
Despite some really swell moments, most of Damon Albarn's The Nearer the Fountain, More Pure The Stream Flows leaves without a trace.
Still Rising documents Gregory Porter’s ascent over the last decades, but is most definitely not his swan song.
Bullet For My Valentine's return as "Bullet 2.0" for their new self-titled album propels them to the top of the UK metal scene.
Things Take Time, Take Time, the third album from Courtney Barnett, offers a more adventurous tweak to her formula.
London Scene/Live! With Ginger Baker's reissues celebrate the 50th anniversary of Fela Kuti's first recordings, showcasing his distinctive style.