Swedish metal titans ARCH ENEMY don’t let up on triumphant 11th album
As melodic death metal goes, Deceivers ticks all the boxes: classical undertones, fast guitars, obligatory solos, heavy basslines and demonic vocals.
As melodic death metal goes, Deceivers ticks all the boxes: classical undertones, fast guitars, obligatory solos, heavy basslines and demonic vocals.
Kasabian’s seventh studio album - The Alchemist's Euphoria - is also their first since the sacking of frontman Tom Meighan for domestic assault.
Futuristic sci-fi cinematic soundscapes and heart-and-soul-fuelled pop cleverness: not many artists can sound this inventive 19 albums in.
The overall vibe here is one of laidback good times, with almost ska-like propulsion to tracks like Hot Coffee, while other tracks could be mistaken for lost Northern Soul classics.
Man In The Hot Seat, recorded with amazing clarity at Abbey Road, is a satisfying, convincing blend of JTQ’s acid jazz roots and the predominant influence of ‘70s soundtracks.
Political, discordant and relentless, Dub War’s return ought to both delight older followers and attract new ones to their message-laden, Welsh-infused take on the genre.
Noise & Flowers is both a brilliant introduction to Young’s music with modern production and a treat for completists.
Like the novels of Orwell that have inspired the imagery of DC Gore's debut release, there is something chilling and affecting that stays with you after listening.
The sound of an ancient horror lurking in the shadows, Forest Nocturne is beautiful uneasy listening.
Apeshit is Anderson .Paak’s new label, and with DOMi Louna on MIDI keys and JD Beck on percussion, they whip up a host of jazzy joints for their rap star boss.
The Theory Of Whatever is an album you can imagine sounding immense played live: expansive guitar hooks and countless singalong moments.
Now is the time to celebrate three decades of Orbital, with 30 Something: not a lazily compiled best-of, but a selection of Orbital’s finest tracks.
An essential purchase, and a good place to start for those not familiar with the maverick brilliance of Barry Adamson.
Reminiscent of Pink Floyd, Moonshine’s lyrical focus is on current affairs – particularly the unatainability of the American Dream.
How To Grow A Sunflower Underwater seems to be a progression of Alex’s mental health journey, as seen by upfront mentions of her therapist throughout the album.
Bristling with edgy energy, the LP is as much a product of its troubled times – pandemic, political divisions, social tensions – as it of its precocious creator.
To say Spirit Of Ecstasy is an album bursting with creativity and boiling over with fresh ideas would be a major understatement.
10 Tracks That Echo In The Dark will undoubtedly be a hit with Kooks fans old and new, as well as a festival favourite.
Black Midi can be accused of many things, but never a lack of ideas or a reluctance to follow their own muse.
Embarking on a UK headline tour this November, The Present Is A Foreign Land should prove a hit in a live setting for Deaf Havana.
The Other Side… is Interpol playing to their strengths with an impressive widescreen swagger on an album that gives more away on each addictive listen.
Half a decade after her breakthrough single Finders Keepers, you can understand why English-Swedish singer Mabel asks her followers, “Allow me to reintroduce myself” on new album, About Last Night.
Beatopia, the second album from Beabadoobee, is a singular vision of shimmering indie-pop that transcends her Gen Z demographic.
Sniffany & The Nits, three-quarter Welsh ambassadors moored in London, follow two pre-pandemic releases with a debut LP that’s fast, powerfully efficient, clattering and oddly tuneful.