Kiefer Sutherland’s turn to music makes for pleasant listening – and little else
It’s easy to be sceptical when a Hollywood superstar turns to music, and though Kiefer Sutherland can really sing, new album Bloor Street has little edge to it.
It’s easy to be sceptical when a Hollywood superstar turns to music, and though Kiefer Sutherland can really sing, new album Bloor Street has little edge to it.
26 albums later, Tokyo-based band Boris are still collapsing genres and confounding expectations in this, their latest album, W.
Gold, the second album from Riki, seees the self-identifying New Romantic leave behind the darkwave of her debut for 80s synthpop.
Future versions of Cyrano are unlikely to have a soundtrack as seductive and slick as what The National’s Dessner brothers have created.
Following the tangents Jeff Parker takes on new album Forfolks is never anything besides compelling.
System Reset are back with Many Hands Make Lies Work and, unfortunately, its themes are as timely as their debut album.
On Can's Live In Brighton 1975 – the second in an apparently ongoing album series – the flavour is somewhat muddied.
New album Speak is the sound of the Norwegian EERA seizing her solo opportunity in the spotlight with both hands.
Is electroclash back? Did it never end in Russia? Love Object's New Flesh poses many questions but provides few fresh answers.
Old Habits, the fourth album from Treetop Flyers, takes inspiration from 70s British rock - and there's a lot to like.
Taking a road trip deep into Americana-land, Laura-Mary Carter's Town Called Nothing is filled with dreamy vistas but lacks narrative punch.
Leo Abrahams' Scene Memory 2 is an adventurously made selection of soundscapes, racked in a hypnotic kind of spellbinding beauty.