BARTEES STRANGE takes a reflective, emotional journey on luscious second album
In a time when ‘genre-less’ music seems to be thriving Bartees Strange is a shapeshifter with genuine grit, girth and emotionality.
In a time when ‘genre-less’ music seems to be thriving Bartees Strange is a shapeshifter with genuine grit, girth and emotionality.
An intensely summery, optimistic return for Foals, Life Is Yours encourages listeners to grab hold of life and keep dancing through festival season and beyond.
Steve Davis – a six-time world champion snooker player who earned a reputation for being boring – is an enormous prog fan who, at the age of 64, is now composing his own out-there music.
On this third album, Nick Mulvey gets further under the skin, coming across as the thinking person’s George Ezra (no bad thing) or a more energetic Mac DeMarco.
Lethal B vs. Lethal Bizzle, comprising seven mostly short tracks and an interlude, might end up making you hungry for more because it’s a lot of fun.
As with its predecessors, the cover of Angel Olsen’s new LP Big Time is a photo of its creator, instantly establishing it as the third in a trilogy of epic personal dramas.
Fun and playful as Gold Rush Kid is, there don't seem to be any further bangers with summer mega-repeat potential from George Ezra here.
GWAR frontman The Berserker Blóthar tells us: “This is the greatest rock record of all time. These are the songs for a new age, a New Dark Age, when men live by the dimming light of technology destined to betray them.”
Ural Thomas has graced the same stages as James Brown and Otis Redding, and on Dancing Dimensions, still has a voice to match those two icons.
Horsegirl have managed to encapsulate their overlapping, likeminded styles and friendship into a carefully crafted postpunk debut, Versions of Modern Performance.
The tone of Poliça hasn’t changed in the 10 years since their debut album but the band’s sound remains unlike any other on sixth album, Madness.
Cave and Ellis' La Panthère Des Neiges soundtrack deserves to resonate for many years to come, the same way as Ry Cooder’s music for Paris, Texas or even Vangelis’ Blade Runner.