BRIAN WILSON strips BEACH BOYS classics back to basics for AT MY PIANO
A legend Brian Wilson may be, but it's hard to know who the stripped back Beach Boys covers on At My Piano are for.
A legend Brian Wilson may be, but it's hard to know who the stripped back Beach Boys covers on At My Piano are for.
Dreaming In Slow Motion, a stately album by Cardiff-based Danielle Lewis, creeps up on you from a two-metre distance and then gives you a big hug.
Their seventh studio album, Motorheart sees The Darkness delivering good old rock'n'roll - in the only way they know how.
On A Valediction, German quartet Obscura may have elevated themselves beyond the the death metal genre entirely.
As a whole, Dave Gahan & Soulsavers' Imposter works incredibly well as a complete piece of work - each track brimming with heart and soul.
Despite some really swell moments, most of Damon Albarn's The Nearer the Fountain, More Pure The Stream Flows leaves without a trace.
Still Rising documents Gregory Porter’s ascent over the last decades, but is most definitely not his swan song.
Only a year after 2020's Ultra Mono, Idles are back with new album Crawler, which finds them mostly sticking to what they do best.
While it’s easy to mock ambient, it can’t diminish Jon Hopkins' Music For Psychedelic Therapy from being a simply beautiful album.
Bullet For My Valentine's return as "Bullet 2.0" for their new self-titled album propels them to the top of the UK metal scene.
Things Take Time, Take Time, the third album from Courtney Barnett, offers a more adventurous tweak to her formula.
London Scene/Live! With Ginger Baker's reissues celebrate the 50th anniversary of Fela Kuti's first recordings, showcasing his distinctive style.