Yeoh & Sanada’s ROYAL WARRIORS restoration – a classic slice of 80s Hong Kong action
The Michelle Yeoh back catalogue continues to be restored in another of Eureka’s exhaustive restorations of the Hong Kong action genre: Royal Warriors.
The Michelle Yeoh back catalogue continues to be restored in another of Eureka’s exhaustive restorations of the Hong Kong action genre: Royal Warriors.
Like the drug-fuelled frenzies it depicts, Babylon is a delirious, unhinged thrill. But it’s a high it simply cannot sustain for its duration.
The latest from Cornish filmmaker Mark Jenkin, Enys Men serves as an abstract meditation on loneliness, isolation and the jumbled and chaotic nature of memory.
All The Beauty and the Bloodshed - exploring photographer Nan Goldin's life and her fight against the Sackler family/Big Pharma - draws a clear and sometimes painful line between the personal and political.
Empire Of Light is a humane film which, in its refusal to shy away from racism or brutality, leaves much room for contemplation and hope for the future.
A tawdry tale of lust, manipulation, and loathing, Peter von Kant is a worthwhile update to a classic of queer cinema.
Before Everything, Everywhere All At Once, Yes Madam! was one of the first films to highlight Michelle Yeoh's athleticism, pairing her with American martial artist Cynthia Rothrock.
Home Alone meets John Wick in new film Violent Night, a gory home-invasion action movie from director Tommy Wirkola starring David Harbour.
With earworms aplenty and kineticism by the cakeload, Matilda The Musical is a joyously entertaining slice of escapism.
A touching and gorgeously made second feature, Close succeeds in leaving as few dry eyes in the house as possible.
In Brendan Fraser, The Whale features one of the finest, most touching rejuvenations of an actor’s career we’ve seen.
In The Court Of The Crimson King is an entertaining, illuminating and touching hour and a half, with the potential to appeal outside the band’s immediate fanbase.