KNIVES OUT sequel GLASS ONION cements Rian Johnson as a murder mystery master
Destined for Netflix streaming, Glass Onion is so raucously entertaining it should prove as rewatchable as its predecessor.
Destined for Netflix streaming, Glass Onion is so raucously entertaining it should prove as rewatchable as its predecessor.
If you're wondering how the abortion debate in America came to be front and center in its political battles, Battleground is an infuriating but educational watch.
Swedish filmmaker Ruben Östlund furthers his 2017 Pale D'Or win with another at Cannes with his next feature, Triangle Of Sadness.
With top-billing from Mena Suvari, The Accursed is a fairly nuts-and-bolts haunted house-cum-possession film, bolstered by some moody cinematography and inventive direction.
Brimming with earnestness, eccentricity and tokusatsu action, Iké Boys is a fond portrait of fandom and friendship set on the cusp of the 21st century.
A pitch-black comedy drama with some literal eyepopping gore, Australian thriller Sissy manages to take swipes at social media whilst delivering a character-led examination of childhood trauma. Aisha Dee is …
A diverting take on Edgar Allen Poe’s source for his macabre tales, Raven's Hollow mixes monster thrills with supernatural musings, referencing much of Poe’s works along the way.
From director Hanna Bergholm, Hatching is a coming of age tale that follows a girl who nurtures a mysterious egg with gruesome consequences.
Strawberry Mansion is a melting pot of ideas that bubbles with sweet and sour charm and intrigue, just not quite fulfilling enough to be worth a second helping.
New to Shudder, Speak No Evil is a blisteringly dark film that absolutely no one with children should watch.
Who Invited Them is a diverting, performance-led, low-key horror that teases throughout before descending into the more obvious territory.
A tender coming of age/road film, Wildhood follows a young man as he reconnects not only with his biological past but his indigenous Mi’kma’ki heritage. Philip Lewitski plays Link, an apparent ne’er …