101 SCARIEST MOVIE MOMENTS OF ALL TIME is not your average countdown show
The 101 Scariest Movie Moments Of All Time is well above the standard normally set by these countdown programmes.
Movie interviews and reviews, all in one place, including what's on screens in Wales and the rest of the world.
The 101 Scariest Movie Moments Of All Time is well above the standard normally set by these countdown programmes.
Everything from big Davey Cronenberg’s latest scalpel-slice of body horror to a typically French Clare Denis feature with a knifey title… plus eight more speculative spiels from Keiron Self.
Bold, baffling, and oh so beautiful, Jordan Peele's sci-fi-horror-western draws influence from a vasty array of cinematic sources.
In Where Is Anne Frank?, Ari Folman (Waltz With Bashir) asks us what might happen to Anne's imaginary friend Kitty in the latter-day real world.
While its runtime stretches the audience’s patience somewhat, Official Competition is largely successful in its meta-commentary on the nature of art and artists.
Her Way, the debut feature from director Cecile Ducrocq, is an absorbing drama with a brilliant central performance from Laure Calamy.
Even in the height of summer, director Lee Haven Jones’ Gwledd (The Feast) is sending chills down Keiron Self’s spine. Allow him to tell you why!
Solid and always watchable, Eiffel never quite reaches the Tower’s actual dramatic heights, and has a Sunday afternoon movie feel.
An American Gothic tale that mostly delivers, What Josiah Saw feels almost primaeval at times, and despite its flaws, haunts.
A beautifully observed road trip movie with heartbreak at its centre, Hit The Road – the debut feature of director Panah Panahi – resonates deeply.
Churning both the stomach and mind, The Feast is a lyrical and poetic Welsh film about history and responsibility, greed and the rape of the land.
Prolific Welsh filmmaker Jamie Adams has another music-based dramedy, Love Spreads, available to download now.
When Carl Marsh sat down with Matt Hookings to talk about his new boxing biopic Prizefighter – co-starring Russell Crowe and Ray Winstone – he thought he was seeing double.
August is not the prime month for sitting in a windowless room inside an entertainment complex for two to four hours of film. Which makes it all the more impressive that Keiron Self has found some timely content!
Hannah Collins catches up with one of the country’s biggest studios - Dragon, recent hosts to Disney+'s Willow - and finds that post-COVID, operations director Tom Guy has never been busier.
Mon 4 July saw Cardiff City Hall host the ClwstwrVerse programme, highlighting and celebrating media innovations made in Wales.
The first wave of COVID ground virtually every UK industry to a halt, film and TV included. Despite this, two years on the sector in Wales has currently never been busier. How did this happen?
Dedicated to creating quality homegrown film that works as pure entertainment, Celyn Jones discusses his ambitions with Buzz’s John Evans - including his upcoming Rebel Wilson-starring project, The Amond And The Seahorse.
Daniel Draper's Manifesto is a blistering political call to arms that hits ever harder in the current corrupt climate, where a crisis in the Tory government is a daily/hourly occurrence.
July's film releases include an Irish drama about an impromptu baby adaption and a cartoon about Superman's dog.
British-Ghanian artist Larry Achimapong provides a sensory snapshot experience of Black culture and history, riddled with images of solitude and loneliness.
The terrible mass shooting in Port Arthur, Tasmania in 1996 created swift change in gun laws. Justin Kurzel’s immersive film Nitram details the life of the man behind that attack.
An immersive Greek drama from writer/director Jacqueline Lentzou, Moon, 66 Questions immerses rather than explains as a daughter reconnects with her ill father.
Everything Went Fine is a euthanasia drama that absorbs and moves, anchored by an excellent Sophie Marceau as a daughter coming to terms with her father’s desire to die.