Racism, war & romance: THE GODS ARE ALL HERE is a remarkable achievement in theatre
With The Gods Are All Here, Okwedy demonstrates that sharing your story can lead not just to understanding but also empowerment.
With The Gods Are All Here, Okwedy demonstrates that sharing your story can lead not just to understanding but also empowerment.
In the hands of the Sherman Theatre, this hilarious tale of desire and trickery has been retold by young writers Nia Morais and Mari Izzard and directed by Joe Murphy.
This production reminded me why I fell in love with theatre in the first place; I have no doubt the remainder of its tour will be successful.
Cherry Town, Moscow, which premiered in 1959, was written just a few years after the death of Joseph Stalin - a timely piece if ever there was one.
With Chichester Festival Theatre promising ‘Some Enchanted Evening’ at South Pacific, this bulky production thinks it pays off for the musical’s flaws in story and characters.
Laced with West Country hilarity, Florence Espeut-Nickless’ one-woman show is a brilliant exploration of Destiny’s dreams of escaping the Hill Rise estate and becoming a dancer for MTV.
This one-woman play, written by Henry Naylor and directed by Peter Doran, is raw and savage from the get-go.
Chippy Lane's RIGHT WHERE WE LEFT US is a roller-coaster romance with a difference.
The characters in Tylwyth evoke the warm feeling of meeting a good friend you haven’t seen in forever. Playing at Sherman Theatre.
Bat Out Of Hell - A non-stop thrill ride that renders you physically breathless.
Ever the crowdpleaser, Puccini’s La Bohème never lost its romantic allure for generations of opera goers.
The Revenge Of Popperface, a dance work from Gareth Chambers playing at Chapter Arts Centre, lacks the feel of a fully formed piece.