KING CRIMSON rockumentary is an illuminating watch for any music fan
In The Court Of The Crimson King is an entertaining, illuminating and touching hour and a half, with the potential to appeal outside the band’s immediate fanbase.
Movie interviews and reviews, all in one place, including what's on screens in Wales and the rest of the world.
In The Court Of The Crimson King is an entertaining, illuminating and touching hour and a half, with the potential to appeal outside the band’s immediate fanbase.
Destined for Netflix streaming, Glass Onion is so raucously entertaining it should prove as rewatchable as its predecessor.
For feminist pop culture historians or what have become quotable camp classics, Crazy Old Ladies is an easy-to-read, fascinating account of an overlooked trope.
If you're wondering how the abortion debate in America came to be front and center in its political battles, Battleground is an infuriating but educational watch.
It’s that spooky time of the year again, so here are Keiron Self’s top film recommendations for scares come 31 October.
Swedish filmmaker Ruben Östlund furthers his 2017 Pale D'Or win with another at Cannes with his next feature, Triangle Of Sadness.
If we pretend for a second that Halloween will definitely come to a close with Halloween Ends then what a corker this soundtrack would be to go out on.
With top-billing from Mena Suvari, The Accursed is a fairly nuts-and-bolts haunted house-cum-possession film, bolstered by some moody cinematography and inventive direction.
Brimming with earnestness, eccentricity and tokusatsu action, Iké Boys is a fond portrait of fandom and friendship set on the cusp of the 21st century.
The return of Cardiff’s annual Iris Prize LGBTQ+ Film Festival, marking October as a diverse and glorious month for arts and culture within Wales.
In one-man horror Deadstream, a desperate web influencer goes into a haunted house to do a livestream for sponsors in a bid to make money and save himself from debt.
October 2022 film releases including the latest from the Halloween franchise, Black Adam, Decisions to Leave and more
A pitch-black comedy drama with some literal eyepopping gore, Australian thriller Sissy manages to take swipes at social media whilst delivering a character-led examination of childhood trauma. Aisha Dee is …
A diverting take on Edgar Allen Poe’s source for his macabre tales, Raven's Hollow mixes monster thrills with supernatural musings, referencing much of Poe’s works along the way.
From director Hanna Bergholm, Hatching is a coming of age tale that follows a girl who nurtures a mysterious egg with gruesome consequences.
Queer For Fear is a revealing series packed full of queer insight that shines a light on the hidden layers, intentionally or otherwise that exist within horror itself.
Strawberry Mansion is a melting pot of ideas that bubbles with sweet and sour charm and intrigue, just not quite fulfilling enough to be worth a second helping.
New to Shudder, Speak No Evil is a blisteringly dark film that absolutely no one with children should watch.
Who Invited Them is a diverting, performance-led, low-key horror that teases throughout before descending into the more obvious territory.
A tender coming of age/road film, Wildhood follows a young man as he reconnects not only with his biological past but his indigenous Mi’kma’ki heritage. Philip Lewitski plays Link, an apparent ne’er …
Shudder's Saloum is a brisk, top-notch horror film from Senegal, laced with folklore that does not stint on character or political commentary.
The 101 Scariest Movie Moments Of All Time is well above the standard normally set by these countdown programmes.
Everything from big Davey Cronenberg’s latest scalpel-slice of body horror to a typically French Clare Denis feature with a knifey title… plus eight more speculative spiels from Keiron Self.
Bold, baffling, and oh so beautiful, Jordan Peele's sci-fi-horror-western draws influence from a vasty array of cinematic sources.