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You are here: Home / Culture / Music / Albums / TOMBERLIN expands sound with delicate, expansive soundscapes on second album

TOMBERLIN expands sound with delicate, expansive soundscapes on second album

April 29, 2022 Category: Albums, Reviews
Tomberlin - credit Michelle Yoon
Tomberlin - credit Michelle Yoon
Tomberlin - I Don't Know Who Needs To Hear This
Tomberlin – I Don’t Know Who Needs To Hear This

TOMBERLIN

I Don’t Know Who Needs To Hear This (Saddle Creek)

The comforting vocal texture of Sarah Beth Tomberlin is still as present as ever during her second album, I Don’t Know Who Needs To Hear This. The success of At Weddings, her debut as Tomberlin and a record penned while residing at home in Illinois, catapults the songwriter into further intricate melodies and sparse instrumentation. I Don’t Know Who Needs To Hear This lives up to this and pushes it further afield, building bigger soundscapes but always leaving the vocal so listeners can hang off every word: Memory is one fine example of this.

RELATED: ‘Listen, watch or read our conversation with Meg Fretwell of Panic Shack, as they ascend the music industry ladder.’

Opener Easy is of a cosmic nature, vast as if it could cover distances with its atmospherics, weighty percussion and lingering piano chords; single Tap finds solace in an outpour of questions, Tomberlin offering up “I’m not a singer, I’m just someone who’s guilty” over expressive drums and light, plucked characterful acoustic guitars. She revisits adolescence and religious themes, too, in the personal Born Again Runner.

words EMMA WAY

KEEP READING: ‘Two Ribbons from Let’s Eat Grandma characterises itself as an ode to the transparency of childhood friends Rosa Walton and Jenny Hollingworth.’

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About Emma Way

A digital journalism apprentice at Buzz, Emma is also a musician, music writer and graduate from BIMM Bristol specialising in songwriting.

Tag: buzz album review, emma way, michelle yoon, saddle creek, tomberlin

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