WALES MILLENNIUM CENTRE, CARDIFF, FRI 9 OCT
Sweeney Todd, the Demon Barber of Fleet Street, is a tale of a revenge against the judge who stole Todd’s wife, child and freedom. It is a story that instantly evokes the image of a Victorian London. But those expecting that will be left wanting, as James Brining’s take on the musical for the Welsh National Opera’s Madness season is a contemporary one, and it’s something that does not sit right throughout, especially when seeing one cast member in a Batman t-shirt and tracksuit bottoms.
However, the set aside, the production is a pleasant balance of menace and mischief. David Arnsperger’s Todd is one brimming with intensity, though he seemingly failed to fully embody the character, which became even more apparent when at certain points his German accent seeps through his cockney.
Janis Kelly played the perfect counterpart as Mrs Lovett, adding a well needed dose of humour to the grim subject matter. Cutting a look of an east end Jessica Lange, Kelly commanded the stage and stole the show. Another notable performer was Steven Page who played Judge Turpin. He was instantly dislikeable, though his vulnerability was revealed in the uncomfortably intense flagellation scene. Like a true villain should be, he was booed when stepping up to take his applause.
Though it was an accomplished performance by Soraya Mafi as Todd’s estranged daughter Johanna, when singing Green Finch and Linnet Bird there was a distinct lack of whimsy, necessary to add to the feel of freedom the song is meant to depict. She only truly came into her element when interacting with Anthony, played by Jamie Muscato. The chemistry and longing between the pair was tangible.
One thing that again did not sit right throughout the production was the age of those cast in certain roles. As Pirelli, Paul Charles Clarke speaks of working for Todd as a boy, yet appears to be the same age if not older. There is also a clear disparity between Todd and Lovett.
Despite its flaws the WNO’s production was gloriously gruesome with just enough humour thrown in to ensure it remained entertaining.
words LAURA ELIZABETH JOHNSON
photo MANUEL BEVAN