“You don’t have a gameplan when you write songs” – Grant Nicholas of FEEDER on 30 years of music
With a new album and UK tour on the way, Feeder frontman Grant Nicholas talks to us about the Newport's band's evolution.
With a new album and UK tour on the way, Feeder frontman Grant Nicholas talks to us about the Newport's band's evolution.
David Holmes' first solo album since 2008 roots for outsiders and the displaced:a thought-provoking soundtrack for cruel, angry and turbulent times.
After 2021’s exceptional I Would Not Live Always, expectations are very high for Look Over The Wall, See The Sky, John Francis Flynn’s second album of traditional Irish folk.
All the right touchstones on The Twits are there, but Bar Italia's take on Sonic Youth, My Bloody Valentine et al are draining.
Blur’s guitar icon Graham Coxon and Rose Elinor Dougall, formerly of The Pipettes, join forces to nudge each other into a fresh musical dimension: The Waeve.
This Is What We Do is the closest Leftfield have come to giving Leftism something to fret about, with an end result that is undeniably a Neil Barnes creation.
For his third album under his own name, George FitzGerald walks the thin tightrope between club classics and ambient soundscapes.
Soak up the studio recordings all you want, but after a storming Cardiff show, Melt Yourself Down really need to be seen to be believed.
Pray For Me I Don't Fit In is a welcome return for jazz/dance/punk/kitchen sink experimentalists Melt Yourself Down
There is a bleak and brutal beauty to the poetry that occupies many of Devil in a Coma's pages from songwriter Mark Lanegan.
Despite some really swell moments, most of Damon Albarn's The Nearer the Fountain, More Pure The Stream Flows leaves without a trace.
While it’s easy to mock ambient, it can’t diminish Jon Hopkins' Music For Psychedelic Therapy from being a simply beautiful album.