The future of electro-pop is bright on BASTILLE’s fourth album
Bastille give us a glimpse into the future on their fourth album, Give Me The Future - and it's a bright one.
Bastille give us a glimpse into the future on their fourth album, Give Me The Future - and it's a bright one.
Palace's third album, Shoals, promises "chaotic" and "dangerous depths," but the laidback music on offer doesn't quite make good on this.
It’s easy to be sceptical when a Hollywood superstar turns to music, and though Kiefer Sutherland can really sing, new album Bloor Street has little edge to it.
Cultvr Lab's IMMERSDIFF programme of 3D cinema in Cardiff was not something Lynda Nash expected to be so awe-inspiring or profound.
Cardiff Students Union isn’t the most inviting venue, but The Darkness made you forget you weren’t in a stadium.
Scrap Metal takes the listener on a trip back to the late 1970s and early 80s when metal still had a lot of growing up to do.
Taking to St. David's Hall in Cardiff, Marillion deliver two hours of note-perfect sound and an impressive light show.
Their seventh studio album, Motorheart sees The Darkness delivering good old rock'n'roll - in the only way they know how.
The Future Has A Past, a multidisciplined exhibition at National Museum Wales' St. Fagans, invites us to think about the direction we are taking and the decisions we are making.
Boston-based Marissa Nadler’s ninth solo album is melodic and mystical. Her ethereal voice mesmerises the listener and makes lyrics about murder, suicide and prison breaks seem palatable.
Acoustic Hymns, Vol. 1 offers Richard Ashcroft fans much of the same they've heard before - though perhaps not quite as advertised.
Though billed as a comedy, The Tigerface Show at Newport's Riverfront left Lynda Nash feeling far from amused.