After 8-year hiatus, PAOLO NUTINI’s album return is uniquely great
The music is bloody good, dense and full of the deep feeling that Nutini obviously needs to make that rather special voice of his soar.
The music is bloody good, dense and full of the deep feeling that Nutini obviously needs to make that rather special voice of his soar.
Ellis Cashmore asks the difficult questions – can and should we separate the art from the artist? And, most uncomfortably, are we responsible for Michael Jackson’s destruction if we, as consumers, aided in his creation?
Twenty years after its initial publication, this unparalleled visual guide to the cultural phenomenon that was Ziggy Stardust has been revamped to celebrate the half-century since the Spiders From Mars crashlanded into British living rooms.
Returning this summer with Tresor, Cardiff’s dreampop icon Gwenno found herself pondering issues of language, identity and self-doubt.
Florence + The Machine have done well to lambast themselves without losing any of their apparently genuine uniqueness on Dance Fever.
After the fantastic opener Dangerous, which pokes fun at Morrison’s status as the pot-stirring, sneering cynic, the rest of the new album is obsessed with lying politicians and a brainwashed nation.
Patrick Watson has created another beautifully crafted album that pushes his soft piano, light vocal, ambient electronic style further to the leftfield.
The decade that brought us the last truly great chart battle and some of the most iconic songs to ever grace a gig is both brilliantly analysed and celebrated in Britpop: Decades.
Born into a family of strong musical talent, Martha Wainwright could be excused for finding it hard to find her place in the world, as Stories I Might Regret Telling You details.
Mark Rees has created a fascinating collection of well-known tales from Wales’ past – placing them into our modern country through superb accompanying images.
Sydney four-piece The Lazy Eyes have conjured up a collection of blistering compositions on debut album Songbook.
With a script by that is almost trilingual in its use of Welsh, English and a little French, Petula star Kizzy Crawford tells Noel Gardner why she took on the multilingual acting challenge.
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