A.A. WILLIAMS third album is richly rewarding gothic alt-rock
Leaving the listener to draw their own conclusion, As the Moon Rests challenges faith and devotion.
Leaving the listener to draw their own conclusion, As the Moon Rests challenges faith and devotion.
Seeped in spiritual blues and powerfully uplifting R&B, Like Neptune is the sound of an artist seeking inner peace.
In the Afghan Whigs canon, this return is as pleasing as Gentlemen or Black Love remain: undoubtedly, the fire still burns for Dulli and co.
On listening to Thee Sacred Souls’ eponymous debut album, it is evident as to why the Black Pumas and Timbaland champion the San Diego trio.
Not only has William Orbit produced successful artists from Blur and Madonna to U2, Robbie Williams and All Saints, but he’s also released a fair few decent electronic albums himself.
Fragile and moving, Blue Luminaire's debut album Terroir offers an authentic aural escape route from the dark night of the soul.
Small Angels is a tale of heartache, revenge and the dark side of human nature, wrapped up in unsettled scores that have left their mark.
Futuristic sci-fi cinematic soundscapes and heart-and-soul-fuelled pop cleverness: not many artists can sound this inventive 19 albums in.
Now is the time to celebrate three decades of Orbital, with 30 Something: not a lazily compiled best-of, but a selection of Orbital’s finest tracks.
An essential purchase, and a good place to start for those not familiar with the maverick brilliance of Barry Adamson.
To Fill A Yellow House, British-Ghanian writer Sussie Anie’s debut novel, is a tale of modern London living set around two characters.
At the core of Thrust are themes of immigration, climate change and feminism – all wrapped up in an intelligently affecting story that successfully walks the fine line between topical issues, history and science fiction.