PETER SERAFINOWICZ returns to Cardiff with entrepreneurial wisdom as alter ego BRIAN BUTTERFIELD
Peter Serafinowicz's self-styled “businessman, entrepreneur and businessman”, Brian Butterfield is as larger-than-life as ever at the New Theatre.
Peter Serafinowicz's self-styled “businessman, entrepreneur and businessman”, Brian Butterfield is as larger-than-life as ever at the New Theatre.
Richard Herring’s Leicester Square Theatre Podcast has been one of the most consistently engaging and illuminating shows around. The live Cardiff iteration is no different.
Richard Coles took audiences on a hilarious journey through his life at Cardiff's Sherman Theatre in a one-man show filled with charm.
Featuring a hilarious and often brutal lineup of drag queens from RuPaul’s Drag Race and hosted by The Vivienne, Haters Roast: The Shady Tour is a laugh riot with unforgettable performances from Lawrence Chaney and Jimbo, in particular.
At the New Theatre, the Happy Hour team’s Round Sheep Tour sold out ahead of doors - a night that demonstrated the ever-growing reach of the podcast industry.
Basic Lee is not Stewart Lee at his absolute best – but in a sea of identikit stand-ups he remains peerless.
Trixie and Katya are so warmly embraced by everyone in Cardiff – even in the sterility of an area instead of the intimacy of a cabaret club – there’s little they could do to turn anybody off.
A night of genuinely brilliant Welsh funnies proved good value for £22 - here's hoping The Best Of Wales Comedy Gala becomes an annual thing.
In 2015, I attended Dan & Phil’s The Amazing Tour Is Not On Fire show in this venue, being a superfan of the YouTuber duo. Seven years later, Daniel Howell …
Quick-witted with punchy delivery, Jayde Adams kept the jokes coming at Cardiff's Glee Club before you had chance to laugh off the previous.
Carl Marsh arrived with high expectations for this gig, as a fan of the Clinton Baptiste podcasts, but reports that he hasn't laughed so much in years...
As promised by the enigmatic title and psychedelic poster design, Simon Amstell’s Spirit Hole brought to the stage all the beautiful, left-wing, loving open-mindedness one only fantasises about existing in the heart of the 1960s.