KIM GORDON’s second solo album is a bold departure from SONIC YOUTH
There’s no disputing that The Collective is a challenging listen, but while Kim Gordon's ex-husband dwells on the past, Gordon has her sights forwards.
There’s no disputing that The Collective is a challenging listen, but while Kim Gordon's ex-husband dwells on the past, Gordon has her sights forwards.
Judas Priest have thrown a few curveballs but don’t typically do red herrings: any given LP, Invincible Shield being their 19th, ensnares a sound and nails it.
Only two words are needed to describe Where's My Utopia?, and they’re a quote from Yard Act’s own song Dream Job: “It’s ace!”
The potentially crushing existential dread of middle age and a nihilistic worldview are subjects for attack for Pissed Jeans on Half-Divorced.
On Hopiumforthemasses, with its silly title and silly artwork, the topics for vivisection by Ministry include inaction on climate change, white supremacy and incel toxicity.
Liam Gallagher and John Squire: a convergence of two standout talents of their genre crafting a musical storyline that stretches across decades
The meaningless roar of the Kaiser Chiefs reaches fever pitch on their latest album, creatively titled Easy Eighth Album.
Real Estate have always had movement and light in their songs, painting a picture of places, seasons and times of day. On sixth album Daniel it’s no different.
The Body & Dis Fig's Orchards Of A Futile Heaven brings a sense of crushing heaviness and weight without the chains of analogue percussion.
Now nine years into his musical career, R'n'B start Jason Derulo's explores hits and fresh tracks for Nu King, a 27-track opus.
On William Doyle’s new album, Springs Eternal, the fount is not a source of spiritual sustenance but something in which to drown.
Georgian rocksters Blackberry Smoke’s eighth album Be Right Here keeps them true to form with 10 tracks of polished Southern rock.