One of post-rock’s Big Four, EXPLOSIONS IN THE SKY make a resonating return with END
One of post-rock's Big Four, Explosions in the Sky's signature soundscapes make their latest album, End, a resonating return.
One of post-rock's Big Four, Explosions in the Sky's signature soundscapes make their latest album, End, a resonating return.
James Acaster's lockdown brainchild Temps embrace experimentation and collaboration on album Party Gator Purgatory with untamed moments of lyricism, brake-less rap, unsettling basslines, and infectious pop melodies.
BC Camplight's exceptional new album, The Last Rotation Of Earth, was born out of personal struggles; a unique blend of humor and heartfelt reflections, creating a captivating musical experience.
Silver Moth’s Black Bay, recorded in just eight days with Stuart Braithwaite of Mogwai, offers a mix of slow-burning and impactful tracks, including Gaelic-inspired songs that transport you to the Outer Hebrides.
Liela Moss' Internal Working Model carries considerable weight, performing synthpop manoeuvres in the dark, from anxious paranoia to utter discombobulation.
Leaving the listener to draw their own conclusion, As the Moon Rests challenges faith and devotion.
Fragile and moving, Blue Luminaire's debut album Terroir offers an authentic aural escape route from the dark night of the soul.
Rhonda Lee Reali was enraptured recently by Alluvium, the latest album by Scottish musician Christopher ‘C’ Duncan - so much so she had a chat with him about it.
Chloë And The Next 20th Century is the latest opus from Father John Misty; each track a pastiche of a bygone style - from bossa nova and big band to country and cool jazz.
On the first night of Independent Venue Week, Norway's Pom Poko also kicked off their UK-wide tour with an evening of sunny revelry in Cardiff's Clwb.