THE NATIONAL revisit summer 2024 with a live recording from Rome
The National change their setlist every time they play, and on Live In Rome they pull all of their aces for the Italian audience.
The National change their setlist every time they play, and on Live In Rome they pull all of their aces for the Italian audience.
Father John Misty’s Mahashmashana combines orchestral lushness with bold genre shifts, resulting in a challenging yet rewarding listen.
A career-defining release featuring Adrianne Lenker, Tucker Zimmerman’s Dance of Love is a lo-fi folk gem, blending emotional authenticity and raw beauty.
Adrienne Lenker doesn’t shy away from vulnerability on Bright Future, a delicately made record that envelopes listeners in tales of childhood, heartbreak, and love.
Future Islands' latest album, People Who Aren’t There Anymore, dives into middle-aged heartbreak with spacious synth beats.
From Big Thief's Buck Meek, dive into tender album Haunted Mountain, filled with folk and country arrangements.
The National's latest album First Two Pages of Frankenstein, which features emotional tracks with Taylor Swift and Phoebe Bridgers, deals with how the band overcame writer's block and depression to create this masterful work of art.
Daughter's Stereo Mind Game is a promising album with insightful lyrics and interesting production, but falls short of its potential.
Meg Remy’s U.S. Girls are described as an “evolving musical project”, the latest evolution being this album: Bless This Mess, vintage in feel but modern in ideas and subject matter.
On Dry Cleaning's second album, Stumpwork, they seem to be enjoying a freedom to bring their fringe tastes into the frame.
In a time when ‘genre-less’ music seems to be thriving Bartees Strange is a shapeshifter with genuine grit, girth and emotionality.