SCARLET REBELS meld hard rock & heartfelt lyrics on WHERE THE COLOURS MEET
Llanelli hard rock band Scarlet Rebels return with their third album, Where The Colours Meet, “a melting pot of lyrical themes and sonic elements."
Llanelli hard rock band Scarlet Rebels return with their third album, Where The Colours Meet, “a melting pot of lyrical themes and sonic elements."
Norwegian four-piece Pom Poko already have 2021’s excellent Cheater in their discography, and third album Champion should earn them more fans again.
Will Young blends pop classic and new, dance, and a certain Latin influence on his latest, sunny album, Light It Up.
The second instalment of a Taylor Swift-inspired novel duology, You’re The Problem, It’s You is a gorgeous romance, faultlessly written, with just the right amount of spice.
With Guilty By Definition, Susie Dent has brought her formidable knowledge of the English language into the world of fiction for the first time.
In MILF, mum, music maker, and marvellously entertaining and effervescent pop person Paloma Faith dips her pen into the ink well of writing a book rather than a song.
Funny, gracious and legendary, piano man Billy Joel's aimiable demeanour and occasional wisecracks endeared him to a packed stadium in Cardiff.
Theatr Genedlaethol Cymru has gone from strength to strength since the pandemic. However, the latest offering for the National Eisteddfod – Brên. Calon. Fi. by Bethan Marlow – left us feeling a little cold.
Creedence Clearwater Review certainly took us on a nostalgic journey playing live in Cardiff, encompassing everything magical about that formative era.
OSees' SORCS 80 is a gonzoid marriage of A Foul Form’s Crass-y punk and the accessible new wave of precursor album, Intercepted Message.
Former music journalist Benjamin Myers' latest novel, Rare Singles explores music's unique capacity to unlock memory, unite and heal.
House Gospel Choir deliver a feel good, gospel-fuelled spiritual slab of vinyl with house leanings in Love Is The Message.
Twin Atlantic's Meltdown has a pop-rock vibe that's chart-friendly and approachable, but there’s not enough to make one song stand out over another.
Let cunning, well-crafted prose cast a spell on you in Phil Carradice's engaging and extremely well-written book, Witches & Witch Hunts Through The Ages.
Beabadoobee’s This Is How Tomorrow Moves is a self-assured coming-of-age tale about love and womanhood that continues to document the artist’s experiences.
Claire Berest’s eighth book Artifice is a glowing, cinematic thriller, propelled throughout by zippy, electric writing.
Chris Whitaker’s writing in All The Colours Of The Dark combines Dennis Lehane’s grit and the human rawness of top-tier Steinbeck.
Bunch Of Grapes' Nick Otley is back doing what he does best: having revived some old favourites from his eponymous brewery, he’s continuing to deliver quality food too.
As WITCH keyboardist Patrick Mwondela told Buzz, “a lot of people come to shows to experience the energy and warmth”. On that measure, no one leaves their Cardiff show disappointed.
My Town is an album which encapsulates Brian Ray’s influences, songwriting, and signature style in a way that is uniquely him.
Neither ska nor punk, in a purist sense, Millie Manders And The Shutup prove they're true modern cross-genre specialists on their second album.
Drawing on the sounds of the late 70s, dub-reggae group Scientist's latest album, Direct-To-Dub, is a sonic dream.
A magical realist debut novel, Phantom Limb’s most striking grand visions are those of Chris Kohler as a novelist.
On their first album in five years, Why? return with a surprisingly personal album that stands out as something of an oddity in their back catalogue.