INLAND: Mark Rylance stands out in a frustrating Forest Of Dean folk tale
An elusive modern folk tale, Inland - starring Mark Rylance - is full of atmosphere but its blend of naturalism and mysticism amounts to an often frustrating vagueness.
Movie interviews and reviews, all in one place, including what's on screens in Wales and the rest of the world.
An elusive modern folk tale, Inland - starring Mark Rylance - is full of atmosphere but its blend of naturalism and mysticism amounts to an often frustrating vagueness.
Discover the captivating world of David Lynch's Inland Empire as the surreal arthouse film that defies explanation comes to Blu-ray at last.
Allow the tender and critically acclaimed Welsh film Translations to take you on a surreal journey of love and grief; screening across Wales this month.
Powerful drama Wait For Me features committed performances and a realistic portrayal of small-scale criminality as its protagonists navigate a world of crime and seek redemption.
Dive into the disturbing and humorous world of Ari Aster's Beau Is Afraid, an epic, demanding film that captivates with its psychological chaos and dark comedy.
S4C's Chief Executive Sian Doyle announced at Wales Screen Summit that the broadcaster is committing to producing one Welsh film a year.
Speaking at the Wales Screen Summit, Luke Evans revealed his casting in Michael Sheen's directorial debut The Way, and more about his upcoming film project with Billy Porter.
Follow the tragi-comic odyssey that is one's man's pursuit of becoming a YouTube sensation turned indie film premiere: Keiron Self talks about how The Martin Decker Show came to be via the pandemic.
Tom Hanks debuts his novel set in Tinseltown; a love letter to the big screen, celebrating the ability of film to transport us into a world where everyone feels like a superhero.
A captivating read for film enthusiasts and culture aficionados alike, Ian Penman's fascinating account of Rainer Werner Fassbinder's life and work is filled with quotes, confessions, and social commentary.
Love According To Dalva is a French film that tackles the sensitive subject of childhood sexual abuse with raw emotion and sensitivity.
Leaving to Remain is a powerful documentary that follows the lives of three Roma families in the UK. Filmed on iPhones, it shines a light on the often-vilified Roma community.
Anime fans, rejoice! Suzame, the latest film from Makoto Shinkai, is here. But despite stunning animation, is it worth the hype?
Get the lowdown on the best cinematic storytelling in groovy blood 'n' chainsaw romps, Italian exorcisms, Bollywood sisterhood, and scene-stealing performances in Keiron Self's film recommendations for this April.
Despite its chilling setting, Leave - a slow-burning horror film set in Scandinavia that follows a young woman's search for her birth parents - has a languid pace that fails to exude much dread, making this horror more ho-hum than horrific.
The tumultuous birth of S4C, and thus regular television broadcasting in Welsh, is dramatised in a new film, Y Sŵn. Roger Williams, who wrote it, spoke to Keiron Self about his motivations in bringing it to the screen.
Allan Ungar, director of the new crime caper Bandit, discusses the real-life inspiration behind the film's protagonist, the Flying Bandit, and how he brought the story to life on screen.
A frenetic telling of the battle for a Welsh-language television channel, new film Y Sŵn brings the cream of Welsh language talent - new and old - to the fore in a funny and moving tale of triumph.
From award-winning Belgian teen arthouse drama to the no-awards-won-at-all Creed III, Keiron Self presents his top 10 new films coming out in March 2023.
The directorial debut of Saim Sadiq, Joyland is a gorgeous, heartrending LGBTQ drama from Pakistan.
Broker is something truly special on its own: a feelgood story that won’t leave you with a toothache, but certainly a tear or two.
Based on the 2016 novel by Ermanno Rea, lauded Italian director Mario Martone takes a poignant, meandering stroll down memory lane with Nostalgia.
The Menu is the latest in what’s become a prevalent trend of ‘eat the rich’ media, wherein the environment best suited to dismantle classism is the service industry. But why is this, and why now?
M. Night Shyamalan returns with Knock At The Cabin, a psychological horror he wrote and directed. But is the long build-up worth the climax?